The Swan, 2016
Very limited prints of these works available. Contact me for questions.
“Even the most solid of things, and the most real, the best-loved and the well-known, are only hand shadows on the wall. Empty space and points of light.” — Jeannette Winterson, Sexing the Cherry
“A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.” — Kurt Vonnegut, The Sirens of Titan
In this series, I am simultaneously exploring ideas about self-rivalry, Utopia, and Jungian interpretation of mirrors. In researching this work, I draw on speculative fiction, philosophical theories of possible worlds, technology, and feminism to explore discrete but interconnected questions surrounding love, desire, and free will. In this work I am also abstractly considering the feelings of dislocation and disembodiment in our increasingly crowded digital space.
Formally, this work draws from my in alternative mark making. Can a photograph become a drawing? Can you make a drawing using only light and shadow? This work began in the dark room as photograms. Each image is made using flashlights, mirrors, a candle, and a feathered mask. Small gestures are recorded on the surface of photographic paper and processed in the darkroom.
Each image is then scanned and output as an archival print. Some images are digitally painted. Some are left as they appeared in the darkroom. This project is important to me as an experiment in combining my two artistic passions lens based work and painting.